WIP: Struggling With Portraits
Portraits! Oh my do I struggle with portraits. I can draw flora and fauna to my heart's desire, but the second I want to create a face, my artistic abilities pack up and take a vaca. Being an avid acrylic user, I love mixing paints for light and darker hues, and find it so much easier than perfecting shades with graphic or water color, however shading is still far easier than line work! It's still a work in progress, of course, but I'm at the point where things are starting to feel cohesive. I've always considered my style cartoony, as my drawings imply the proper shapes but never quite capture them. I chalk this up to my horrendous hand-eye coordination. My eyes can see the lines and shadows but my hands just won't comply.
For my current spread, I've decided to paint a portrait, though it may not be my forte. I was over eager in creating my background, and while I made some amazing texture, it became far too messy to use small imagery as the foreground—it simply would be lost in the chaos. Choosing something large and mostly opaque seemed to be the best option. I'm still in love with my background, and am leaving the most interesting elements alone. These elements include: paint that has dried raised, multicolored paint drips, stamped lettering, and circles created with my (new from the clearance) Tim Holtz paint dabbler.
The imagery that I'm most excited about came by accident, and not by the purposeful application of tools. The left page, which is currently dominated by a long paint drip that runs horizontally as well as vertically, was created with supplies I had not previously mixed. I used watered-down tan acrylic paint to make a very fluid mixture, which dripped down the page with ease. The amount I used was in excess, and when I turned the page sideways, it poured to the left from the original drip. I had done this before, but next I did something different: I used white India ink to add to the tan paint's original drip. I then turned the journal on its right side, mirroring the tan lines with white ones. The India ink and paint mixed independently, making an unexpected marbled effect. It's beautiful! I will definitely be trying to recreate that effect in later spreads.
The portrait needs line work to create facial features, but I'm 99% sure that the left page will stay just as it is. The only way I can think it may be necessary to alter the left page is if I find myself using other colors on my portrait. If other colors come into play, I may choose to incorporate them on the opposite page in order to keep my color scheme cohesive.
I'll keep you updated on this portrait...as long as it doesn't turn out too terribly. That being said, I've already accepted that it's no Mona Lisa. (It is orange, after all.)